Writing · Task 1 of 2
Writing an Email
One of 2 tasks, judged as a whole rather than question by question.
How long you get
about 27 minutes
Not published by the test provider. Check it against the free Starter Set.
What this section does to you
You will write two pieces, each for a stated reader and purpose.
A word count is shown as you type. When a task’s clock runs out, whatever you have written is submitted as it stands.
Each task is judged as a whole against the published Performance Standards dimensions, not on a checklist.
What is judged
Each task is judged as a whole on these dimensions, published as part of the Performance Standards. The level-by-level descriptors behind them are not published, so nobody — us included — can tell you exactly where one level ends and the next begins.
- Content/Coherence
- Vocabulary
- Readability
- Task Fulfillment
Source: CELPIP Performance Standards for Writing and Speaking (PDF, © 2023 Prometric)
How to approach Task 1
The task gives you a reader, a reason to write and a list of points. You need to write a message this person could read once and act on. That means covering every listed point, in an order that makes sense to the reader, in a tone that fits your relationship with them. The reader has to follow the message easily and know what you want from them. So ask yourself: can you invent believable everyday details, organize them so the reader never gets lost, and keep the same voice from greeting to sign-off?
Step by step
Read the reader and purpose before the points
Ask who this person is to you: a company, a manager, a neighbour, a friend or a stranger. Decide how formal you need to be before you write anything. Tone shapes every sentence, so fixing it early saves you from rewriting later.
Give each listed point a concrete detail in your head
For each point, invent a specific fact: what happened, when, where, what it cost you or exactly what you want. Keep this plan in your head. If the test allows notes, a single word per point is enough. Planning details now gives every paragraph something real to say.
Open by telling the reader why you are writing
In your opening lines, make the purpose clear so the reader does not have to guess. Keep background short here. The details belong in the paragraphs that follow.
Give each point its own paragraph, in a logical order
Start each paragraph with a sentence that shows which point it answers. Then support it with your planned detail. Order the points the way the reader needs them, for example situation, then effect, then request. Use linking words that match the real relationship between ideas, such as cause, contrast or sequence.
Close with the next step and a matching sign-off
End by saying what you want to happen or what you will do next. Choose a sign-off that fits the relationship you decided on at the start. A clear next step tells the reader why the email matters to them.
Reread against the list and the counter
Go through the listed points in your head and find the paragraph that answers each one. Check that the word counter is within the length the task asks for. Then fix long sentences joined only by commas, and replace any key word you have used again and again.
Using the time
At the start, spend a short stretch on reading and planning: the reader, the tone and a detail for each point. Spend most of your time writing the body, point by point, and glance at the word counter after each paragraph. Save the last stretch for rereading. When the clock runs out, whatever you have written is submitted, so make sure every point has at least a basic answer before you polish any single part.
What usually goes wrong
Dropping or blurring a listed point
It is easy to merge points into one paragraph, or to forget a point while you focus on one you find easier. Before you write your closing, go down the list in your head and name the paragraph that answers each point. If you can't find one, add a short paragraph right away.
In your feedback: Off prompt
Tone that drifts partway through
An email can start politely to a landlord or manager and then slip into slang or sharp demands once the complaint begins. The opposite can happen too: an email to a friend sounds stiff and cold. Reread your opening and closing side by side. Check that both sound like the same relationship.
In your feedback: Wrong tone
Claims with nothing behind them
Saying a service was poor or a plan is better, with no detail, leaves the reader unable to picture it. After each paragraph, ask whether the reader could see what happened. If not, add a specific fact such as a time, an object, a consequence or a reason.
In your feedback: No supporting example
Spending too many words on the first point
If you write at length about the first point, the last one may get a rushed line or be cut off when the clock runs out. Check the counter after your first body paragraph. If it has already used a large share of the length the task asks for, tighten it and move on.
In your feedback: Word count
Checking your own work against what is judged
- Content/Coherence
- Content/Coherence: Check that each paragraph has a clear main idea supported by a specific detail you invented. Check that the paragraphs follow an order the reader can follow without jumping back.
- Vocabulary
- Vocabulary: Look for general, all-purpose words where a precise word for the object, action or feeling would fit. Look for any key word you repeated again and again, and swap some of them for accurate alternatives.
- Readability
- Readability: Check that each sentence ends where its idea ends, with no long chains joined only by commas. Check that your linking words vary and actually match the relationship between the ideas. Make sure the paragraph breaks are visible.
- Task Fulfillment
- Task Fulfillment: Confirm that every listed point is answered, that the tone suits the stated reader, and that the purpose is clear from the opening. Confirm that your length is within the range the task asks for.
Drafted by an AI writer and passed by a separate AI editor after one rewrite, checked against our content rules: structure and approach only, no wording to reuse. How our content is made
Why this page has no sample answer
Because an answer you read here would not be yours, and yours is the one that is judged. This page teaches the structure of Writing Task 1 and how to approach it: what is asked, how to use the time and what is judged.
In a practice test, the feedback works on your own sentences: it points to the ones that cost you on the published dimensions and shows how to fix them, in your words.
The test provider warns that responses that are not original can lead to score cancellation. A sentence learned by heart is a risk to your result, not a shortcut.
Common questions
- How long do you get for CELPIP® Writing Task 1?
- The test provider publishes the time for the whole Writing component — 53 minutes for its 2 tasks — not a time for each task. celpip9 practice tests follow a widely circulated per-task breakdown, printed on this page with that caveat.
- Source: CELPIP-General test format (celpip.ca)
- What is CELPIP Writing Task 1 judged on?
- The task is judged as a whole, not on a checklist, on the dimensions named in the published Performance Standards: Content/Coherence, Vocabulary, Readability and Task Fulfillment. The level-by-level descriptors behind these names are not published.
- Source: CELPIP Performance Standards for Writing and Speaking (PDF, © 2023 Prometric)
- Is there a word count in Writing Task 1?
- Yes. A word count is shown as you type. When a task’s clock runs out, whatever you have written is submitted as it stands.
- Source: CELPIP-General test format (celpip.ca)
- How does Writing Task 1 count towards the Writing level?
- It counts towards one level for the Writing component as a whole, from 3 to 12; each level corresponds to the CLB level of the same number.
- Source: CELPIP scoring and the Canadian Language Benchmarks (celpip.ca)
- Is there a template for CELPIP Writing Task 1?
- No. This page teaches the structure of the task and how to approach it; the words stay yours. The test provider warns that responses that are not original can lead to score cancellation, so a sentence learned by heart is a risk, not a shortcut.
The rest of Writing
Further reading
- How CELPIP® results work: component levels and the CLB scale
Each CELPIP® component gets its own level, matching the CLB level of the same number. How those levels are set, how long results last, and why the weakest counts.
- Which CELPIP® skill is hardest? What the published results show
In the test provider's data report on a year of test takers, Reading has the lowest mean level. What each skill's figures show, and what they cannot tell you.
- How to structure your CELPIP® preparation, from target to test day
How to plan CELPIP® preparation: start from your program's target, test early, work on the biggest gaps, rehearse the mechanics, then check your progress again.
- How celpip9 estimates your level, and what the estimate cannot tell you
How celpip9 turns your practice into a CLB range, why it is never a CELPIP® result, what we measure about ourselves, and what an estimate cannot tell you.
- CELPIP® Writing: the mistakes to check for in your own draft
What to check for in a CELPIP® Writing draft, grouped by the published dimension names, and how to reread and fix your own work in your own words.
- How to use your time in CELPIP® Writing and Speaking
Each CELPIP® Writing and Speaking task runs on its own clock. Here is how to plan, pace and finish every task, and how to rehearse the timing before test day.
Reading about it only gets you so far
You can read what Task 1 asks. What you cannot read is what it feels like to meet the section's own mechanic while the clock runs. The test drive is where you do that, untimed, unscored and free of your quota.